For the last several days I have been watching live performances of Simon & Garfunkel from back in the 60's. The one I am particularly fond of is the live at Kraft Music Hall from 1968:
There are several 10-20 minute performances of theirs from around the world on YouTube but I especially like this one because there is a beautiful reverb that paints each song here. And two of my all-time favorite S&G songs are here: For Emily, Whenever I May Find Her & Patterns.
My first listening experience with "For Emily..." was the version on the 1972 best of collection. It was a live version and I was somewhat annoyed with live versions of songs on hits packages where I expected familiar studio recordings. Not really knowing this song meant it wasn't too burdensome for me to listen to it, but there were other songs on this album that I did know and was disappointed to hear live versions taking the seat of the ones I knew.
Mind you I was much younger then--in junior high, high school even--so I did not care too much for unfamiliar slow songs. But over the years "For Emily..." has grown deeply on me and has become a must-have S&G song. It is this live version from 1969, however, that is the penultimate classic for me. The original album version plays like a completely different song with more instruments and effects. This live version is Garfunkel's solo vocal with Simon's 12-string acoustic guitar and it is absolutely splendid!
A few days ago I decided to see if there was a live version video of this song on YouTube since so many wonderful things are now available on there to watch. To my surprise I came across this Kraft Hall version and I fell in love all over again. While the sonic fidelity may not be pleasing to many, I found it to be perfectly uplifting with an aforementioned large-hall reverb effect that added so much to the song. The sound source is from a mono film camera so there's plenty of noise and a flat, unequalized response. But that is good enough for me. Perfect even. I would eschew hi-fidelity, multi-track stereo any day for beautiful sounds captured by a single microphone and some wonderful, natural reverb.
To add to this wonderful live version of "For Emily...", there are some subtle strings which poke through just before the third verse. Just makes the song even more beautiful.
Watching this video also led me to learn the guitar intro to it and realize that the guitar solo in the middle is not as terribly complicated as the live '69 version had me believe all these years.
Among the other black & white videos I found of theirs was another where "For Emily..." was performed. While it was another fantastic rendition, there was absolutely no reverb and I just gotta have my fix of reverb otherwise it sounds too close and intimate. The only benefit to the no-reverb version is that you can hear every nuance of Garfunkel's effortless voice vibrato.
I only wish that this S&G Kraft Hall performance were longer. Would love to hear a few other of my favorites done there, including "Blessed", "A Hazy Shade of Winter" and "Scarborough Fair."
But there is one more performance I really enjoyed from this set. "Patterns" became a favorite song of mine the first time I heard it way back in my cassette days. And to hear them sing it here over the studio backing track is nothing short of what I define as the pinnacle sound of 60's pop/rock music. Once again that natural reverb sounds gorgeous and even adds an element of eeriness combined with the largely dark lyrics. Sound quality not an issue for me. Yes, it's not what I consider to be ideal but in my opinion a little de-hissing would be sufficient. In fact, it's the lo-fi-ness of the recording that makes it sonically more appealing to me. In this era of overproduction and limitless sonic technological improvements, there is much to be said about the simplicity of basic recording techniques and analog equipment.
I recommend watching the entire 19-minute performance but if the desire is to only see the ones I've written about, here they are:
Beware of other versions out there. Some YouTube users take the video, remove the original audio and superimpose audio from another source, usually a cd. I'm not a fan of this. I say leave the original audio in place no matter how bad it may sound to your ears. Some of us enjoy lo-fi!
And here is one that I uploaded myself:
